That you see your gallery and think, that’s us.

Not the version you practiced, but the one that actually existed — stylish, imperfect, alive.

The way your partner looked at you during the vows.
Your best friend mid-laugh.

Your parents on the dance floor, finally exhaling.

I want you to remember them too — the people who made the day what it was.

Q: What’s your goal for each couple's gallery?

A lot of couples are moving away from traditional wedding parties right now, and I completely get it. You still want photos with your people — you’ve curated this group of humans you love and adore, and they deserve to be in the story.

That’s absolutely doable. We’ll talk about ways to make it feel organic, maybe during cocktail hour or the reception instead of lining everyone up in one long row.

Think cocktails in hand, real laughter, movement, conversation - not stiff poses.

My goal is to photograph your people being themselves with you - the hugs, the jokes, the connection - because those are the photos that feel lived-in.
I’m here for the laughter at every part of your day.

Q: We don’t have a big wedding party or one at all. How do we handle group photos with people that aren't family?

The ones who build space into their day — time to breathe, to hug, to laugh, to actually experience it.

I work best with the type-B couples — the ones who don’t want their wedding to feel like a checklist. You’ve looked at photos you love, maybe saved a few poses or family groupings you want to make sure we get, and that’s great. But beyond that, you trust the day to unfold. You hand off your phone, stop checking the timeline, and let yourself be surrounded by your people.

The best galleries come from couples who are present — the ones who get excited about cocktail hour, who care more about sharing a meal than micromanaging a moment.

Those are the stories that photograph beautifully.

Q. What kind of couples do you work best with?

There will be moments that do — and that’s okay. My job is to make those few minutes comfortable and quick so you can get back to being with the people you love.

When I step in, it’s always with intention: maybe to move you into better light, clear distractions, or create space for something beautiful to happen. The rest of the time, I’m quiet in the background — watching for what’s real.

Q: Will our wedding day feel like a photo shoot?

Then you’re human. Most people are.

That’s why I give gentle direction when it’s needed — a quick adjustment, a reminder about a photo we planned for, or just a breath before the next thing.

When you’re getting ready, I’ll guide you toward the best light and clear distractions so your photos look clean and intentional. I’ve been doing this long enough to read a room and know when to step in and when to disappear. The goal isn’t perfection; it’s presence.

Q: What if we’re awkward in front of the camera?

There are a lot of words floating around right now — documentary, editorial, fine art.

They’re useful, but also a little overused. My job has always been to document — to notice, to translate, to make sure the photographs feel like you.

So I hesitate to call myself “documentary,” because weddings, by nature, already are. And “editorial”? That can mean a lot of things. For me, it’s about intention. A curated moment can still feel completely real if it’s rooted in who you are.

My work lives somewhere between organic and lived-in — the kind of images that feel like memory — and elegant, timeless portraits that will still look beautiful twenty years from now.

I believe the best photos often fall somewhere in between: honest moments that may be lightly orchestrated, shaped with care, and true to the energy of the day.

Q. How do you describe your style?

q&A
with cari

Q. And for the practical questions — the quick ones that don’t need a full essay:

Yes, I shoot with Nikon digital cameras (dual slots) and a mix of film cameras.
Yes, I always have backups — of equipment, cards, and plans.
Yes, I shoot both digital and film.
Yes, I travel.
Yes, I have insurance.
Yes, I’ve filled in for an emergency before — and yes, I have a plan for one.
Turnaround time: 8–10 weeks.
And yes — I’ll help you with timelines, lighting, and all the small things that make big differences.

Less about labels, more about connection.

For couples who want something honest - not staged, not stiff, not a production.

A conversation about how I work, what I notice,and what actually matters on a wedding day.

Ready when you are.

Let’s make this easy.
Schedule a call if you’re ready to talk details, or send an email if you’d rather start slow.
Either way, I’ll meet you where you’re at.